WE ARE MEETING IN THE AUDITORIUM

The topic for our March 20 PRINT competition (print turn in on March 6) is Creative Advertising.

We have a local photographer/video artist – Katelin Kinney who will be judging out March Competition/Critique on ADVERTISING. You’ll want to check out her website at www.katelinkinney.com And, you’ll want to draw on your most creative eyes for the month! Here’s her profile:

“I’am Katelin Kinney, creative, introvert, lover of ice cream, and a sucker for baby animals. I create images-I hesitate to call myself a photographer, because really I’m more than that as I’m my own small production company. Whether we need to use photography, heavy photoshop compositing, ai, or animation, I’ll use the tools necessary for your specific project. I like to shoot anything from products, to lifestyles, to beauty....BUT, I want them to be the truly unique projects- the ones that come across your table only a few times a year at most. I work in the conceptual genre, meaning it’s more than just a pretty picture. There is a story and an “oh I get it!” moment. Let’s get weird and unique and bold. When that perfectly odd project comes across your desk I hope you think of me, because I’m going to rock it for us.”

Her clients include: Microsoft, NFL, Papa Johns, Red Lobster, Campbell’s

Print Competition Photo Turn In.

If you aren't able to come in person or have someone bring them, please contact Jay van Santen at 317-513-2825 and make arrangements for delivery.

This is a PRINT competition, the competition will held at the Indy Art Center on 3/20/2025

Charles has put together the following excellent set of ideas for the topic of Advertising:

Creative Advertising Photography (Topic for 3/2025, Print Submission).

What is Advertising Photography?

Advertising photography is a type of (commercial) photography that is used to launch, engage a target audience, deliver a business message, create awareness, share information, and/ or boost sales on a certain product.

Advertising photography isn’t always about the product. Photography like headshots or model photography intends to advertise a person’s skill to the targeted Portraiture job marketplaces.

The purposes of advertisement photography are:

• Taking high-quality images

• Showcasing value and authority

• Gain trust and impact

• Highlight features

• Assurance to provide a solution

Imagine you plan to set up your little online store and want to sell some items over eBay, Etsy or other sites or put a poster copy on the public library bulletin board, or local cafes, eg, used photo equipment, books, jewelries, services, clothing, shoes, food, kitchen appliances, real estate, property rental, boats, car, bike, painting, art work ………etc.

The above list can be endless. But what is the best way to create an impactful, attractive image to capture the attention of the potential buyers right away ?

This month, such a challenge is imposed on us to create a PRINT showing our creative ideas in this area. Below are some ideas that may help us to put our advertising ideas in prints: Creative advertising photography for amateur photographers can be achieved through several effective techniques:

Concepts:

• Create an emotional connection with your audience by focusing on aspirational

• imagery rather than just showcasing the product.

• Define a clear concept that resonates with your target audience (eg, the buyers),

• leaving room for viewers to create their own story.

• Pay attention to composition, using techniques like the rule of thirds, filling the

• frame, and creating depth in your images.

• Experiment with lighting setups to create mood and atmosphere in your shots.

• Utilize user-generated content campaigns to engage your audience and

• showcase real-life applications of your product or service.

Technical Settings:

• One-Second Before Shots: Capture the product just before an action occurs, like hitting water, to create suspense. Sync with an electronic flash may help.

• Floating Products: Use fishing line to make products appear to float, then remove the line in post-processing.

• Light Painting: Utilize a slow shutter speed and a small light source to “paint” details or highlights around the product in a dark setting.

• Smoke and Mist: Add drama and mystery to your shots by incorporating smoke or mist effects.

• Reflections: Use reflective surfaces to add depth and dimension to your product images.

• Macro Shots: Get up close to reveal intricate details of your product.

• Creative Backgrounds: Incorporate interesting textures or props to create unique backgrounds that complement the product.

• Unusual Angles: Experiment with different perspectives, such as shooting from above or below, to create visually striking images.

• Product Absorption: Make it appear as if the product is being absorbed by or emerging from its background.

• DIY Color Filters: Create budget-friendly color filters using colored Jello packaging for a unique color cast.

Useful ($0.99) online course:

• https://www.domestika.org/en/courses/2877-conceptual-product-photography-for-advertising

References and Illustrative Examples:

• https://www.facebook.com/Creative.Advertising/

• https://www.facebook.com/CrazyAndCreativeAdvertisement/

• https://www.designinc.co.uk/portfolio/

• https://www.designer-daily.com/12-brilliant-creative-print-ads-46807

• https://nz.pinterest.com/kultaa/advertising-photography/

• https://offshoreclipping.com/blog/advertising-photography/

• https://tomcrowl.com/creative-product-photography/

• https://www.adobe.com/creativecloud/photography/discover/product-photography.html

• https://karltaylor.com/

We have a local photographer/video artist – Katelin Kinney who will be judging out March Competition/Critique on ADVERTISING. You’ll want to check out her website at www.katelinkinney.com And, you’ll want to draw on your most creative eyes for the month! Here’s her profile:

“I’am Katelin Kinney, creative, introvert, lover of ice cream, and a sucker for baby animals. I create images-I hesitate to call myself a photographer, because really I’m more than that as I’m my own small production company. Whether we need to use photography, heavy photoshop compositing, ai, or animation, I’ll use the tools necessary for your specific project. I like to shoot anything from products, to lifestyles, to beauty....BUT, I want them to be the truly unique projects- the ones that come across your table only a few times a year at most. I work in the conceptual genre, meaning it’s more than just a pretty picture. There is a story and an “oh I get it!” moment. Let’s get weird and unique and bold. When that perfectly odd project comes across your desk I hope you think of me, because I’m going to rock it for us.”

Her clients include: Microsoft, NFL, Papa Johns, Red Lobster, Campbell’s

Click here for the listing of upcoming competitions

Meeting: Zoom

Our judge is Holly Stones:

"Holly Rose Stones is a British artist working with self portraiture, set design, prop making, sculpture and video. Holly’s work explores mental health, personal experiences and human interaction within nature, challenging her introspective view of the self and female form. Her latest project ‘The Colour Project’ explores surreal, bold and monochromatic worlds. She is using one colour at a time to make a series of props and sets, using the ideas from her dreams to create the self portrait series. Holly creates behind the scenes videos on her Instagram, TikTok & YouTube and has a growing community online."

https://www.hollyrosestones.com/

Competition Photo Turn In

February, 2025 topic:  Self Portrait

Self-portraits and Selfies are distinct forms of photographic self-representation, each with its own creative approaches and techniques.

Self-portraits, our February topic, are typically more thoughtful, planned, and artistic representations of oneself, while selfies are often spontaneous, casual snapshots taken with smartphones for social media.

Creative Ways to Take Self-Portraits

1. Use Reflections: Incorporate mirrors, water, or other reflective surfaces to create unique compositions.

2. Play with Lighting: Experiment with dramatic lighting, such as low-key setups or directional light, to sculpt features and create mood.

3. Incorporate Motion: Use slow shutter speeds to capture motion blur, adding dynamism to your images.

4. Focus on Details: Create intimate portraits by focusing on specific body parts or unique physical traits.

5. Utilize Props: Express your personality or tell a story by incorporating meaningful objects into your composition.

6. Experiment with Angles: Try shooting from unusual perspectives to create visually interesting self-portraits.

7. Create Double Exposures: Combine multiple exposures for abstract and artistic results.

8. Explore Locations: Use different environments to inspire and enhance your self-portraits.

Technical Tips

1. Use a tripod and remote shutter release for stability and ease of shooting.

2. Experiment with aperture settings:
   Wider apertures (lower f-numbers) for shallow depth of field
   Narrower apertures (higher f-numbers) for more wiggle room with focus

3. Use the camera's self-timer or a remote control to give yourself time to pose.

4. For dramatic portraits, position yourself at an angle to a soft light source.

5. Experiment with different focal lengths to achieve various effects and perspectives.

6. Consider using a narrower aperture to ensure sharp focus, especially when shooting alone.

7. Use creative lighting sources like phone screens, laptops, or flashlights for unique effects.

Useful Reference:

• https://shotkit.com/self-portrait-photography/

  https://www.reddit.com/r/photography/comments/wdluiv/tips_for_self_portrait_photography/

• https://desireesydow.com/blog/masters-of-self-expression-self-portrait-photography-artists-to-get-inspired-by

Citations:

[1] https://www.reddit.com/r/photography/comments/15ss9yh/any_tips_on_self_portraits/

[2] https://www.frontiersin.org/journals/psychology/articles/10.3389/fpsyg.2017.00245/full

[3] https://www.katiekaars.com/journal/how-to-take-a-self-portrait-with-a-dslr

[4] https://blog.depositphotos.com/self-portrait-ideas.html

[5] https://www.loredanadenicola.com/post/the-difference-between-selfie-and-self-portrait

[6] https://clicklovegrow.com/how-to-look-great-in-your-self-portraits/

[7] https://www.nyip.edu/photo-articles/photography-tutorials/tips-for-creative-self-portraits

[8] https://www.diyphotography.net/differences-selfies-self-portraits/

[9] https://shotkit.com/self-portrait-photography/

[10] https://www.getty.edu/news/whats-the-difference-between-a-selfie-and-a-self-portrait/

[11] https://www.reddit.com/r/photography/comments/wdluiv/tips_for_self_portrait_photography/

Click here for the listing of upcoming competitions

Meeting: Zoom

Our judge is Stone Peng

Stone Peng is a Grand Rapids, Michigan-USA based national and international award-winning photographer.  Stone Peng’s work has been presented in numerous publications throughout the USA.  Stone Peng's photos are in public and private collections throughout West Michigan, the United States and beyond.  You can also see Stone Peng's photos at www.stonepeng.com.

Artist bio

• M.S. Master of Science, Western Michigan University, Kalamazoo, MI. 1990 -1991

• B.S. Bachelor of Science, Chinese Culture University, Taipei, Taiwan, 1980-1984

Facebook:

www.facebook.com/stone.peng.9

Instagram:

www.instagram.com/stone_peng

I have been taking photos since the early 1990’s. I try to catch the moment of beauty, when dramatic displays of color and light shine in the landscape. Every landscape has its own life and different meaning, depending on the viewer’s mood. I try to catch the emotional feeling at specific moments in landscapes. Professor Biq told me “If you put your heart at peace and involve yourself in nature, you can feel that nature is your friend and realize nature’s life cycle and beauty.” I hope that you can see through my photos express the feelings I had when taking them.

Competition Photo Turn In

January Judge for Leading Lines: Stone Peng. 
https://stonepeng.com/home

Photography of "Lines: Leading, Symmetry, Geometric" is a powerful technique used to create visually compelling and dynamic images.

This approach utilizes various types of lines and geometric shapes to guide the viewer's eye, create balance, and add depth to compositions.

1. Leading Lines
Draw the viewer's attention to a specific point of interest in the image. They create a sense of depth and perspective, guiding the eye through the photograph.

 Examples:

• Roads or paths leading to a distant point

• Railway tracks converging on the horizon

• Staircases directing the eye upward

• Rivers or streams winding through a landscape

• Architectural elements like bridges or hallways

2. Symmetry
Creates a sense of balance and harmony in photographs found in both natural and man-made subjects.

Examples:

• Reflections in still water, creating perfect horizontal symmetry- Architectural facades with balanced elements on either side

• Portraits with the subject centered in the frame

• Radial symmetry in flowers or circular structures

3. Geometric Shapes
Incorporating geometric shapes in photography adds structure and visual interest to images.

Examples:

• Triangular compositions in landscapes or architecture

• Circular elements like arches or domes

• Rectangular frames within the image, such as windows or doorways

• Repeating patterns in tile work or building facades

• The golden ratio or rule of thirds grid overlaid on compositions[1]

Tips for Capturing Lines, Symmetry, and Geometric Shapes

• Look for natural leading lines in landscapes and urban environments.

• Use reflections to create symmetrical compositions.

• Experiment with different angles and perspectives to emphasize geometric shapes.

• Pay attention to architectural details for symmetry and patterns.

• Incorporate the rule of thirds alongside leading lines for balanced compositions.

• Use long exposures to create smooth, continuous lines in moving subjects like water or traffic.

• Practice minimalism to highlight geometric shapes and symmetry

Useful Reference:

• https://www.imaginated.com/photography/composition/styles/geometry-in-photography/

• https://skylum.com/blog/symmetry-in-photography-the-ultimate-guide

• https://1x.com/magazine/permalink/9600

• https://digital-photography-school.com/how-to-break-the-rules-with-a-central-composition/

  Leading Photographers and their work in this Field

• Michael Kenna: Known for his minimalist, geometric black and white landscapes. Website: https://www.michaelkenna.com/

• Hiroshi Sugimoto: Famous for his long-exposure seascapes with strong horizontal lines. Website: https://www.sugimotohiroshi.com/

• Andreas Gursky: Renowned for his large-format architecture and landscape photographs with strong geometric elements. Website: https://www.andreasgursky.com/

• Sebastião Salgado: Master of black and white photography, often incorporating strong leading lines in his documentary work. Website: https://www.amazonasimages.com/

• Fan Ho: Late photographer known for his use of light, shadow, and geometric compositions in street photography. Website: https://www.fanho-forgetmenot.com/

• Olivo Barbieri: Italian photographer famous for his tilt-shift cityscapes with strong geometric patterns. Website: https://www.olivobarbieri.it/

•  Edward Burtynsky: Canadian photographer known for his large-format images of industrial landscapes with striking geometric patterns. Website: https://www.edwardburtynsky.com/

Click here for the listing of upcoming competitions

Meeting: Zoom

Our judge is Lois Talley

https://photographybylois.com/
LoisJTalley@gmail. Com
Photography By Lois 
7 Lowell Ct.
Brownsburg, IN 46112

BIO:
I have been composing photos since age 17 & doing photography for hire for over 25 years.  What started out as a passionate hobby somewhere along the way took on a life of its own. 

My background in art was a great source of education in lighting & composition while my time as a petite model helped with posing skills.

 I have worked hard over many years to hone my photography skills and continue to enjoy “stretching” myself to learn new skills through workshops, meetings and photographic competitions.  I enjoy being a member of IPPG (Indianapolis Professional Photographers Guild) & PPA (Professional Photographers of America) 

Through Professional Photographers of America, I was awarded my Master of Photography degree --

Earned through education and print competition merits earned through International Photographic Competition. 

Judge is Lois Talley

https://photographybylois.com/
LoisJTalley@gmail. Com
Photography By Lois 
7 Lowell Ct.
Brownsburg, IN 46112

BIO:

I have been composing photos since age 17 & doing photography for hire for over 25 years.  What started out as a passionate hobby somewhere along the way took on a life of its own. 

My background in art was a great source of education in lighting & composition while my time as a petite model helped with posing skills.

 I have worked hard over many years to hone my photography skills and continue to enjoy “stretching” myself to learn new skills through workshops, meetings and photographic competitions.  I enjoy being a member of IPPG (Indianapolis Professional Photographers Guild) & PPA (Professional Photographers of America) 

Through Professional Photographers of America, I was awarded my Master of Photography degree --

Earned through education and print competition merits earned through International Photographic Competition. 

TOPIC: MINIMALIST

Minimalist photography is an approach that emphasizes simplicity, focusing on just the essential elements of a composition to create powerful and impactful images.

 Here's how to approach minimalist photography:

•  Simplify the Composition: Strip away unnecessary elements to focus on the core subject.

•  Embrace Negative Space: Use empty areas to draw attention to your subject and create balance.

•  Focus on Strong Subjects: Choose subjects that can stand alone and captivate viewers.

•  Utilize Color Thoughtfully: Work with a limited color palette or consider black and white to enhance simplicity.

•  Pay Attention to Composition: Use techniques like the Rule of Thirds to create visually appealing images.

•  Experiment with Lighting: Use light and shadow to add depth and emphasize your subject.

•  Explore Textures and Details: Highlight interesting patterns or surfaces in your minimalist compositions.

•  Use a Wide-Angle Lens: This can help capture expansive negative space in landscape shots.

•  Consider Long Exposures: Smooth out elements like water or clouds for a more minimalist effect.

 Useful websites for inspiration:

 https://121clicks.com/?s=minimalist

 Selected Key Global Minimalist Photographers

1. 1. Michael Kenna (UK/USA): Known for black and white landscapes with long exposures. Website: www.michaelkenna.com Also Francesco Libassi (Italy) https://www.francescolibassi.com/bwportfolio

2.  Fan Ho (China/Hong Kong): Renowned for minimalist street photography. Website: www.fanho-forgetmenot.com

3. Hengki Koentjoro (Indonesia): Focuses on minimalist seascapes and landscapes in black and white. Website: www.hengki-koentjoro.com

4. Alan Schaller (UK) https://alanschaller.com/streetphotography

5. Natalie Christensen (USA): Creates minimalist urban landscapes focusing on color and shadow. Website: www.nataliechristensenphoto.com

6. Saul Leiter (USA):

7. Nina Papiore (Germany): https://121clicks.com/inspirations/minimalism-black-and-white-photography-by-nina-papiorek#:~:text=Nina%20Papiorek%2C%20a%20German%20photographer,stark%20simplicity%20with%20profound%20depth.

These photographers demonstrate the power of minimalism across various subjects and styles, from landscapes to architecture and street photography.

Meeting: Zoom

Our judge for the evening is Joe Vondersaar:

BFA Visual Communications, Ball State University, 1981. Past member ASMP OVC, served as Board Member and Education Liaison. Twenty one years, WMPhotographic Services, Commercial and Fine Art photography. 2003 to present, SRAM/Zipp Speed Weaponry dual roles, product photography 2003 to retired 2021, presently Facility Operations Maintenance Manager.

Joe Vondersaar Photographs, Est, 1991, Indianapolis Arts Council Creative Renewal Fellowship Award Winner, 2001. Producer of traditional landscape imagery conveyed in museum grade archival prints, collected publicly and privately. Active participant in the Arts and Art Fair business. Special attention to imaging for Charitable photographic events and the Cycling industry.

• https://www.joevondersaarphotographs.com/

• https://www.joevondersaarphotographs.com/Fine-Art-visions

• https://www.joevondersaarphotographs.com/Momentum-Indy-2024

• https://www.joevondersaarphotographs.com/The Distinguished-Gentlemans-Ride-2024

• https://www.joevondersaarphotographs.com/Lake-Superior-Provincial-Park
  

Judge is Joe Vondersaar

BIO:
BFA Visual Communications, Ball State University, 1981. Past member ASMP OVC, served as Board Member and Education Liaison. Twenty one years, WMPhotographic Services, Commercial and Fine Art photography. 2003 to present, SRAM/Zipp Speed Weaponry dual roles, product photography 2003 to retired 2021, presently Facility Operations Maintenance Manager.

Joe Vondersaar Photographs, Est, 1991, Indianapolis Arts Council Creative Renewal Fellowship Award Winner, 2001. Producer of traditional landscape imagery conveyed in museum grade archival prints, collected publicly and privately. Active participant in the Arts and Art Fair business. Special attention to imaging for Charitable photographic events and the Cycling industry.

• https://www.joevondersaarphotographs.com/

• https://www.joevondersaarphotographs.com/Fine-Art-visions

• https://www.joevondersaarphotographs.com/Momentum-Indy-2024

• https://www.joevondersaarphotographs.com/The Distinguished-Gentlemans-Ride-2024

https://www.joevondersaarphotographs.com/Lake-Superior-Provincial-Park

TOPIC:
Just like our previous topic of ‘Wet’, which is not just about water, our upcoming topic of ‘Yummy’ is not about just food alone. To convey the sensation of "yumminess" in food photography, it's essential to focus on elements that stimulate the viewer's senses and evoke an emotional response. Here are some strategies and tips to achieve this creatively:

 Tips to Communicate Yumminess

• Use Natural Light: Natural daylight provides the best lighting for food photography, offering a soft, inviting glow that enhances the food's textures and colors.

•  Focus on Color and Contrast: Bright, vibrant colors can make food appear more appetizing. Use contrasting colors to make the food stand out and appear more dynamic.

•  Incorporate Movement: Adding elements of movement, such as a drizzle of sauce or a sprinkle of herbs, can make the image more dynamic and engaging.

•  Textures and Details: Highlight the textures of the food by using close-up shots. This can make the viewer almost "feel" the crispiness or softness of the food.

•  Create a Story: Use props and backgrounds that complement the food and create a narrative. This could be a rustic setting for a hearty meal or a minimalist backdrop for a modern dish.

•  Experiment with Angles: Different foods look better from different angles. Experiment with various perspectives to find the most flattering view for your dish.

  Some useful reference for ideas:

   https://121clicks.com/?s=food

   https://121clicks.com/inspirations/food-photographer-of-the-year-2024-winners

  https://youtu.be/9HMAHlqm4GUhttps://www.robingoodlad.com/food-photography/

Meeting: Zoom

Tonight’s judge is Professor Steve Nyktas

https://stevenyktas.com/series

Prof. Steve Nyktas, an Indianapolis-based artist and Associate Professor of Art at Butler University, brings a wealth of educational experience to his role as our critic and judge for the September photo contest. With an MFA from Northwestern University, an MA from Purdue University, and a BFA from Albion College, his work has been showcased in various prestigious venues worldwide, including Contemplo MX in Mexico and the 22nd International Festival Sarajevo in Bosnia-Herzegovina. Prof. Nyktas has received numerous accolades, including the Phillip C. Curtis Visiting Artist Award, highlighting his significant contributions to the art world.

Prof. Nyktas's artistic practice centers on conceptual and abstract photography, exploring the intersections between domestic and natural spaces. He employs conceptual strategies to reveal aspects of everyday life that often go unnoticed, using simple tasks and processes to produce unexpected, sometimes highly abstract results. His work often begins with ordinary experiences and found objects, transforming them through impulsive and ephemeral acts to uncover deeper meanings. Through his photography, Prof. Nyktas delves into psychological themes, environmental connections, and the nature of images, using the medium's power to turn simple acts of seeing into profound experiences and knowledge.

Please turn in digital files of the images for “Mobile Phone Photography”

Mobile phone photography has emerged as a powerful and accessible form of artistic expression, allowing people to capture and share moments of daily life in creative ways.

Taking good photographs with a phone camera involves a combination of understanding your device's capabilities and applying fundamental photography principles. Here are some of the best approaches.

Here's an overview of the art of mobile phone photography:

Master Lighting and Composition:

• Lighting is crucial in photography. Seek natural light or well-lit areas to enhance your photos, and avoid dark settings to prevent blurry and grainy images.

• Use the gridlines feature to apply the rule of thirds, helping you compose balanced and visually appealing shots.

• Experiment with different angles and perspectives to add creativity to your images.

• Utilize Camera Features and Accessories:

• Familiarize yourself with your phone's camera settings, such as focus and exposure adjustments, to gain more control over your shots.

• Avoid using digital zoom, as it can degrade image quality; instead, physically move closer to your subject or crop the image later.

• Consider using add-on lenses for more creative options, such as fisheye or macro lenses.

• Lastly, don't hesitate to edit your photos using mobile apps like Snapseed or Adobe Lightroom to enhance their quality and artistic expression.

Capturing Daily Life

Mobile photography excels at documenting everyday moments:

• It allows for spontaneous, candid shots that capture the essence of daily experiences.

• The unobtrusive nature of phone cameras makes it easier to photograph people in natural, relaxed states.

• It serves as a visual diary, helping photographers remember and share intimate moments of their lives.

In conclusion, mobile phone photography has evolved into a powerful medium for artistic expression, allowing photographers to capture and share the beauty, intimacy, and complexity of daily life in innovative ways. With the right techniques and mindset, a smartphone can indeed be a tool for creating compelling, artistic images that resonate with viewers and preserve meaningful moments.

https://121clicks.com/inspirations/35-mobile-photography-awards-winners#google_vignette

https://panthernow.com/2012/03/23/cell-phone-photography-as-art/

https://www.iphotography.com/blog/7-mobile-photography-tricks/

https://vocal.media/photography/capturing-a-moment-the-power-and-the-peril-of-mobile-phone-photography

Biosketch of Butler University’s Prof Steve Nyktas, our judge and critic for Mobile Phone Photography on September 19th.

https://stevenyktas.com/series

Prof. Steve Nyktas, an Indianapolis-based artist and Associate Professor of Art at Butler University, brings a wealth of educational experience to his role as our critic and judge for the September photo contest. With an MFA from Northwestern University, an MA from Purdue University, and a BFA from Albion College, his work has been showcased in various prestigious venues worldwide, including Contemplo MX in Mexico and the 22nd International Festival Sarajevo in Bosnia-Herzegovina. Prof. Nyktas has received numerous accolades, including the Phillip C. Curtis Visiting Artist Award, highlighting his significant contributions to the art world.

Prof. Nyktas's artistic practice centers on conceptual and abstract photography, exploring the intersections between domestic and natural spaces. He employs conceptual strategies to reveal aspects of everyday life that often go unnoticed, using simple tasks and processes to produce unexpected, sometimes highly abstract results. His work often begins with ordinary experiences and found objects, transforming them through impulsive and ephemeral acts to uncover deeper meanings. Through his photography, Prof. Nyktas delves into psychological themes, environmental connections, and the nature of images, using the medium's power to turn simple acts of seeing into profound experiences and knowledge.

Members Only
Zoom

This month’s topic is “Wet”. Our judge is Oscar O. Hofmann.

The topic is "Wet." -- water, lakes, rivers, rain, the feeling of water on your face, use your imagination!

Oscar Hoffman is the judge for WET on August 15th on Zoom:
Sup, hype squad! Oscar here, straight outta the chaos of Mexico City, the visualist story teller maestro crafting killer art work. From pics to vids, it's about aesthetics, depictions, and evoking feels. I spice up projects with quick, on-the-fly solutions because, you know, that's my jam. But here's the kicker—I'm steering this ship straight into the future where AI and Art Direction throw the ultimate party. Bringing you the next-gen vibes in art direction of innovative, stylish, and fluent in the AI visual language. I'm not about slapping "AI" on everything – I'm all about the sneak attack, making big data and graphics dance like nobody's watching. Forget the flashy, let's dive into the sublime. Join me in the realm where visuals meet voodoo, and let's whip up a masterpiece that's as effortlessly rad as it is straight fire. Stay tuned, 'cause we're about to set the AI art world on fire. Ready to slay sick sorcery? No cap, do it for the plot. Time to crush it!

*Disclaimer: This Bio is a lovechild with ChatGPT. Riffing with it with 1:1, a sprinkle of tweaks here and there, and sure, a good dose of caffeine and with a spike or two (who's keeping track?).

Oscar O. Hofmann
+1 (317) 672 5858

linkedin.com/in/oscarhofmann
flickr.com/oscarhofmann
instagram.com/oscarhofmannphoto
facebook.com/oscar.o.hofmann
twitter: @oscar_hofmann

Water photography encompasses various subjects and techniques:

• Waterfalls: Best captured after rain, using polarizer filters to reduce glare and enhance colors[2].

• Waves: Long exposures create streaking lines, adding visual interest to coastal scenes[2].

• Splashing water: Fast shutter speeds freeze water droplets in action, ideal for capturing crashing waves or animals moving through water[2].

Rain photography offers unique artistic possibilities:

• Reflections in puddles or wet surfaces can create symmetrical compositions[5].

• Water droplets on various surfaces provide intriguing macro photography opportunities[5].

•  Umbrellas serve as captivating props, adding shape and color to rainy scenes[5].

•  Shooting through rain-covered windows can produce abstract cityscapes[5].

Wet landscapes: Photographing nature after rain can enhance colors and create a moody atmosphere[2][5].

To capture these wet subjects effectively, consider using waterproof camera gear, adjusting exposure settings, and experimenting with composition techniques to convey the desired mood and visual impact.

Citations:

• Getting Started with Wet Plate Tintype Photography https://blog.rmsp.com/2020/06/01/getting-started-with-wet-plate-tintype-photography/

• Photographing Water: Ideas for Making Great Photos | OPG https://www.outdoorphotographyguide.com/post/photographing-water-ideas

• Water photography | How-to guide - Adobe https://www.adobe.com/ca/creativecloud/photography/discover/water-photography.html

• Wet-Plate Photography | American Experience | Official Site - PBS https://www.pbs.org/wgbh/americanexperience/features/eastman-wet-plate-photography/

• Rain Photography: A Complete Guide to Taking Photos in the Rain https://skylum.com/blog/how-to-master-the-art-of-rain-photography

You can submit them to pvcccontest@gmail.com

If you have any questions, please reach out to Jay van Saten at jay@vscwebgroup.com

Please turn in digital files of the images for “Wet”

The topic is "Wet." -- water, lakes, rivers, rain, the feeling of water on your face, use your imagination!

Oscar Hoffman is the judge for WET on August 15th on Zoom:
Sup, hype squad! Oscar here, straight outta the chaos of Mexico City, the visualist story teller maestro crafting killer art work. From pics to vids, it's about aesthetics, depictions, and evoking feels. I spice up projects with quick, on-the-fly solutions because, you know, that's my jam. But here's the kicker—I'm steering this ship straight into the future where AI and Art Direction throw the ultimate party. Bringing you the next-gen vibes in art direction of innovative, stylish, and fluent in the AI visual language. I'm not about slapping "AI" on everything – I'm all about the sneak attack, making big data and graphics dance like nobody's watching. Forget the flashy, let's dive into the sublime. Join me in the realm where visuals meet voodoo, and let's whip up a masterpiece that's as effortlessly rad as it is straight fire. Stay tuned, 'cause we're about to set the AI art world on fire. Ready to slay sick sorcery? No cap, do it for the plot. Time to crush it!

*Disclaimer: This Bio is a lovechild with ChatGPT. Riffing with it with 1:1, a sprinkle of tweaks here and there, and sure, a good dose of caffeine and with a spike or two (who's keeping track?).

Oscar O. Hofmann
+1 (317) 672 5858

linkedin.com/in/oscarhofmann
flickr.com/oscarhofmann
instagram.com/oscarhofmannphoto
facebook.com/oscar.o.hofmann
twitter: @oscar_hofmann

Water photography encompasses various subjects and techniques:

• Waterfalls: Best captured after rain, using polarizer filters to reduce glare and enhance colors[2].

• Waves: Long exposures create streaking lines, adding visual interest to coastal scenes[2].

• Splashing water: Fast shutter speeds freeze water droplets in action, ideal for capturing crashing waves or animals moving through water[2].

Rain photography offers unique artistic possibilities:

• Reflections in puddles or wet surfaces can create symmetrical compositions[5].

• Water droplets on various surfaces provide intriguing macro photography opportunities[5].

•  Umbrellas serve as captivating props, adding shape and color to rainy scenes[5].

•  Shooting through rain-covered windows can produce abstract cityscapes[5].

Wet landscapes: Photographing nature after rain can enhance colors and create a moody atmosphere[2][5].

To capture these wet subjects effectively, consider using waterproof camera gear, adjusting exposure settings, and experimenting with composition techniques to convey the desired mood and visual impact.

Citations:

• Getting Started with Wet Plate Tintype Photography https://blog.rmsp.com/2020/06/01/getting-started-with-wet-plate-tintype-photography/

• Photographing Water: Ideas for Making Great Photos | OPG https://www.outdoorphotographyguide.com/post/photographing-water-ideas

• Water photography | How-to guide - Adobe https://www.adobe.com/ca/creativecloud/photography/discover/water-photography.html

• Wet-Plate Photography | American Experience | Official Site - PBS https://www.pbs.org/wgbh/americanexperience/features/eastman-wet-plate-photography/

• Rain Photography: A Complete Guide to Taking Photos in the Rain https://skylum.com/blog/how-to-master-the-art-of-rain-photography

You can submit them to pvcccontest@gmail.com

If you have any questions, please reach out to Jay van Saten at jay@vscwebgroup.com

Members Only
Zoom

Our judge this month, for "Heat" is Gerald Emmerich. We was awarded the 2017 PSA LIfetime Achievement Award.

Here is a sketch of his photographic bio:

The Photographic Society of America established the PSA Lifetime Achievement Award as one of the Society’s most prestigious awards in 2012. It is given annually to a long-time member of PSA who has made significant contributions to photography and to the Society. The Society is proud to present the 2017 Lifetime Achievement Award to Gerald H. Emmerich, Jr., Hon PSA, GMPSA/B, a member for almost four decades.

Gerry has been an active photographer since the early 1970s and has over 7,600 acceptances, including over 250 Medals and 41 PSA Best of Show Gold Medals in PSA-recognized International Exhibitions. Over 600 of his photos have been published in books, magazines, calendars, and newsletters.

He is also a frequent photographic program presenter and a frequent judge of photographic exhibitions. He has generously shared his knowledge of photography through lectures and hands-on instructions to groups from beginning amateurs to seasoned photographers wishing to acquire new skills to advance their work.

HEAT as a Topic to photograph:

When approaching this topic, consider experimenting with different lighting conditions, times of day, and locations to capture various aspects of heat. Remember to protect yourself and your equipment from extreme temperatures while shooting, and be mindful of potential heat distortion when using telephoto lenses. By exploring the following creative approaches, you can produce some unique and compelling images that effectively convey the theme of "Heat" to win in the August competition.

Here are some creative approaches for photographing "Heat" as a topic for August competition:

1. Capturing heat distortion: Use a telephoto lens to photograph distant objects on a hot day, capturing the shimmering effect caused by rising heat waves. This can create an ethereal, dreamlike quality in landscapes or cityscapes.

2. Macro photography of heat-related phenomena: Get up close to photograph sweat beads, melting ice, or steam rising from hot surfaces. These intimate details can convey the sensation of heat in a visually striking way.

3. Infrared photography: Utilize infrared-sensitive cameras or filters to capture the heat signatures of various objects and living beings. This technique can reveal hidden heat patterns and create surreal, otherworldly images.

4. Silhouettes and harsh shadows: Photograph subjects against the intense light of a scorching sun to create dramatic silhouettes and long shadows, emphasizing the power of heat and light.

5. Documenting heat's impact: Capture the effects of extreme heat on people, animals, or the environment. This could include wilted plants, cracked earth, or people seeking refuge from the sun.

6. Heat-induced color transformations: Photograph objects or materials as they change color or form due to heat exposure, such as mood rings, thermochromic materials, or heat-sensitive paints.

7. Lens flares and sun bursts: Intentionally incorporate lens flares and sun bursts into your compositions to convey the intensity of heat and light.

8. Reflections and mirages: Capture heat-induced optical illusions like mirages on hot roads or distorted reflections on water surfaces.

9. Time-lapse photography: Create a series of images or a time-lapse series of superimposedimages to showing the progression of heat's effects over time, such as ice melting or plants wilting.

10. Conceptual interpretations: Use creative props, lighting, or post-processing techniques to convey the concept of heat in abstract or symbolic ways. This could involve warm color palettes, fire-inspired elements, or visual metaphors for heat.

11. Portraiture in extreme conditions: Photograph subjects in challenging hot environments, capturing their expressions, body language, and the physical effects of heat on their appearance.

12. Heat-related activities: Document activities associated with hot weather, such as people cooling off in water, fans blowing, or air conditioning units in action.

13. Heat-Induced Phenomena:  Photograph natural phenomena caused by extreme heat, such as mirages in deserts, heat lightning, or wildfire smoke. These dramatic manifestations of heat can create powerful and evocative images

Some useful websites for reference:

[1] https://blog.davidjulian.com/favorite-tips-for-photographing-at-burning-man/

[2] https://greatbigphotographyworld.com/countering-for-heat-distortion-in-images/

[3] https://www.kevinpepperphotography.com/situational-and-composition-photography-tips-for-wildlife-photographers

[4] https://artrepreneur.com/opencall/sizzling-summer-commercial-projects-open-call-june-2024

Please turn in digital files of the images for “Heat”

You can submit them to pvcccontest@gmail.com

If you have any questions, please reach out to Jay van Saten at jay@vscwebgroup.com

Our judge this month, for "Heat" is Gerald Emmerich. We was awarded the 2017 PSA LIfetime Achievement Award.

Here is a sketch of his photographic bio:

The Photographic Society of America established the PSA Lifetime Achievement Award as one of the Society’s most prestigious awards in 2012. It is given annually to a long-time member of PSA who has made significant contributions to photography and to the Society. The Society is proud to present the 2017 Lifetime Achievement Award to Gerald H. Emmerich, Jr., Hon PSA, GMPSA/B, a member for almost four decades.

Gerry has been an active photographer since the early 1970s and has over 7,600 acceptances, including over 250 Medals and 41 PSA Best of Show Gold Medals in PSA-recognized International Exhibitions. Over 600 of his photos have been published in books, magazines, calendars, and newsletters.

He is also a frequent photographic program presenter and a frequent judge of photographic exhibitions. He has generously shared his knowledge of photography through lectures and hands-on instructions to groups from beginning amateurs to seasoned photographers wishing to acquire new skills to advance their work.

HEAT as a Topic to photograph:

When approaching this topic, consider experimenting with different lighting conditions, times of day, and locations to capture various aspects of heat. Remember to protect yourself and your equipment from extreme temperatures while shooting, and be mindful of potential heat distortion when using telephoto lenses. By exploring the following creative approaches, you can produce some unique and compelling images that effectively convey the theme of "Heat" to win in the August competition.

Here are some creative approaches for photographing "Heat" as a topic for August competition:

1. Capturing heat distortion: Use a telephoto lens to photograph distant objects on a hot day, capturing the shimmering effect caused by rising heat waves. This can create an ethereal, dreamlike quality in landscapes or cityscapes.

2. Macro photography of heat-related phenomena: Get up close to photograph sweat beads, melting ice, or steam rising from hot surfaces. These intimate details can convey the sensation of heat in a visually striking way.

3. Infrared photography: Utilize infrared-sensitive cameras or filters to capture the heat signatures of various objects and living beings. This technique can reveal hidden heat patterns and create surreal, otherworldly images.

4. Silhouettes and harsh shadows: Photograph subjects against the intense light of a scorching sun to create dramatic silhouettes and long shadows, emphasizing the power of heat and light.

5. Documenting heat's impact: Capture the effects of extreme heat on people, animals, or the environment. This could include wilted plants, cracked earth, or people seeking refuge from the sun.

6. Heat-induced color transformations: Photograph objects or materials as they change color or form due to heat exposure, such as mood rings, thermochromic materials, or heat-sensitive paints.

7. Lens flares and sun bursts: Intentionally incorporate lens flares and sun bursts into your compositions to convey the intensity of heat and light.

8. Reflections and mirages: Capture heat-induced optical illusions like mirages on hot roads or distorted reflections on water surfaces.

9. Time-lapse photography: Create a series of images or a time-lapse series of superimposedimages to showing the progression of heat's effects over time, such as ice melting or plants wilting.

10. Conceptual interpretations: Use creative props, lighting, or post-processing techniques to convey the concept of heat in abstract or symbolic ways. This could involve warm color palettes, fire-inspired elements, or visual metaphors for heat.

11. Portraiture in extreme conditions: Photograph subjects in challenging hot environments, capturing their expressions, body language, and the physical effects of heat on their appearance.

12. Heat-related activities: Document activities associated with hot weather, such as people cooling off in water, fans blowing, or air conditioning units in action.

13. Heat-Induced Phenomena:  Photograph natural phenomena caused by extreme heat, such as mirages in deserts, heat lightning, or wildfire smoke. These dramatic manifestations of heat can create powerful and evocative images

Some useful websites for reference:

[1] https://blog.davidjulian.com/favorite-tips-for-photographing-at-burning-man/

[2] https://greatbigphotographyworld.com/countering-for-heat-distortion-in-images/

[3] https://www.kevinpepperphotography.com/situational-and-composition-photography-tips-for-wildlife-photographers

[4] https://artrepreneur.com/opencall/sizzling-summer-commercial-projects-open-call-june-2024

[5] https://www.artistsnetwork.com/art-techniques/photograph-your-art-plus-photos-into-paintings/

(photo by Bill Bubenzer)

SPECIAL NOTE:

Please turn in digital files of the images, on June 6, that you will submit in print form for the Indiana State Fair Club Competition on June 20. You can submit them to pvcccontest@gmail.com If you have any questions, please reach out to Jay van Saten at jay@vscwebgroup.com

Location: Indianapolis Art Center

We’ll gather at 7 pm for informal discussion and then start the formal meeting at 7:30.

Bring your print entries to this meeting

Members will select 5 images, which will then be submitted as a Club entry this year. Members can submit 4 prints of their choice for this competition.

Any member image submitted for competition during the previous 10 months shall be eligible. The image need not have been previously placed to be eligible.

The re-editing and processing of entries is permitted, especially if in response to suggestions made by competition judges. Prints may be re-mounted and/or re-printed.

Or, members can submit new photos in print format for selection.

Previously submitted Indiana State Fair Entry photos are not eligible for selection and will not be considered for entry per the State Fair's rules.

Please bring to the June 13 meeting your prints (8x10" to 16x20" in size).

Members will vote on their choices for the 5 slots, and all submissions must be from different members.

The "top five" selections will be asked to send digital files to the Club competition email address. Eric Schoch has graciously agreed to print and mount all images.

Visit our Competition Rules page for the latest information

Click here for the 2024 Indiana State Fair Entry Book

Our online meetings are limited to paid members, who receive a Zoom link via email each week. If you would like a temporary pass to attend a meeting, contact one of our officers.

WHILE YOU ARE HERE, GO AHEAD AND DOWNLOAD OUR WAIVER OF LIABILITY FORM (REQUIRED FOR ALL FIELD TRIPS).

SPECIAL NOTE:

Please turn in digital files of the images, on June 6, that you will submit in print form for the Indiana State Fair Club Competition on June 20.

You can submit them to pvcccontest@gmail.com

If you have any questions, please reach out to Jay van Saten at jay@vscwebgroup.com

Members Only
Zoom

This month’s topic is “Silhouette”. Our judge is Elizabeth Gray.

The art of photography of silhouettes involves capturing subjects in front of a light source, ensuring the subject is underexposed, thus creating striking images with bold outlines against bright backgrounds.

Artful Approaches to Capture Silhouettes:

1. Positioning: Place your subject in front of the light source to create a clear outline.
2. Background: Opt for detailed, bright backgrounds to enhance the silhouette effect.
3. Camera Settings: Adjust settings to underexpose the subject and focus on shapes rather than details.
4. Filters: Use UV filters for specific settings like beach or desert scenes to enhance the silhouette effect.

For more unique image examples and inspiration, you can explore websites like:

https://www.fotor.com/features/silhouette-maker/

https://skylum.com/blog/silhouette-photography-the-art-of-capturing-cool-silhouettes

https://www.format.com/magazine/resources/photography/silhouette-photography

https://www.adorama.com/alc/silhouette-photography/

https://www.thephotoargus.com/beautiful-examples-of-silhouette-photography/

https://smallscenes.com/blog/photographing-silhouettes-in-nature-treasure-lurking-in-the-shadows#:~:text=Silhouettes%20can%20be%20used%20to,might%20not%20be%20that%20interesting

More about our judge Elizabeth Gray:

Biography

I grew up in Vancouver, on the beautiful West Coast of Canada. In 2012 my husband and I relocated to Houston Texas for his job. We stayed here for two years before moving to Gautier, Mississippi in July of 2014, a small town on the Gulf Coast of Mexico. Just recently, in the spring of 2017, we moved back to Vancouver. I had a wonderful time photographing locations and wildlife that were very different from what I was used to in Vancouver. I loved the cypress swamps, especially in the fall. However, trading alligators for bears took a little getting used to!

I have had a camera in my hand for over 40 years. I first became interested in high school when my uncle showed me his collection of old cameras. When I first started, I spent time in the dark room working in black and white. I was involved with my high school yearbook and the camera club in university. After university, my job and family took precedence, and I found my photography taking the back seat. Although I never lost my passion for my camera. When we moved to Houston, I saw it as an opportunity to combine my love of teaching and my enthusiasm for photography. I am very grateful that I have been able to “focus” on my love of photography over these past five years.

My photography covers a broad range of subjects including landscape, wildlife, architectural and urban images. My latest project is focusing on street photography and all the challenges it presents.

Artist’s Statement

My camera and lens allow me to document the way I see things, things that other people often miss. So often we walk by the ordinary without taking the time to enjoy and explore. I hope my photography allows the viewer to ponder the beauty in our everyday environment, both in nature and in our man-made surroundings.

I love to teach, and I have been doing so for over 25 years! I believe that people learn best by doing, not by sitting passively in a classroom. My lessons, which can be done via Skype or in person, are structured so that you get time behind your camera to practice techniques and ask questions during your session.

Whether you are a beginner or intermediate photographer, I would love to customize a lesson plan for you. Topics include: mastering camera settings and learning how to take control of your camera, how to see creatively and compose artistically, how to create images using long exposures, night photography techniques, street photography techniques, macro techniques, and how to work with Lightroom and Photoshop. Learn more about the classes I offer here.

What I like to Shoot

Coming from the west coast of Canada, I have always been drawn to wildlife and nature photography. However, I am also a structural engineer, so you will also find me shooting urban and architectural images as well. Most recently, I have fallen in love with street photography.  I love to see the world through my camera’s lens. It forces me to see things differently than I would with just my eyes. I can capture light and time in a way that can not be seen otherwise. To see some of my work, please check out my portfolio.

The deadline for turning in Competition images is Thursday, May 4. Check the website for the latest details

This month’s topic is “Silhouette”

The art of photography of silhouettes involves capturing subjects in front of a light source, ensuring the subject is underexposed, thus creating striking images with bold outlines against bright backgrounds.

Artful Approaches to Capture Silhouettes:

1. Positioning: Place your subject in front of the light source to create a clear outline.

2. Background: Opt for detailed, bright backgrounds to enhance the silhouette effect.

3. Camera Settings: Adjust settings to underexpose the subject and focus on shapes rather than details.

4. Filters: Use UV filters for specific settings like beach or desert scenes to enhance the silhouette effect.

For more unique image examples and inspiration, you can explore websites like:

https://www.fotor.com/features/silhouette-maker/

https://skylum.com/blog/silhouette-photography-the-art-of-capturing-cool-silhouettes

https://www.format.com/magazine/resources/photography/silhouette-photography

https://www.adorama.com/alc/silhouette-photography/

https://www.thephotoargus.com/beautiful-examples-of-silhouette-photography/

https://smallscenes.com/blog/photographing-silhouettes-in-nature-treasure-lurking-in-the-shadows#:~:text=Silhouettes%20can%20be%20used%20to,might%20not%20be%20that%20interesting

Members Only
Zoom

April Topic: Closeup/Macro

Our judge is Chris Whonsetler:

My full name is Christopher Robert Whonsetler, friends call me Chris and children in Guatemala call me WhonPhoto. Take your pick. I am a freelance photographer based in Indianapolis and available worldwide. I’m a fairly sarcastic, down to earth kind of guy with big ideas & ambitions.

I will never be able to see enough of the world, I am always thinking about my next trip. A bit of a coffee snob, my favorite beans come from a friend's family plantation in Guatemala. I love to cook, am jealous of great painters and musicians, and most importantly love my wife Stephanie and three boys Grayson, Calvin and Sawyer with all my heart! My interest in photography started in late middle school after my mother encouraged me to take photos in 4H. I fell in love. 

My love for photography grew through High School and eventually through College. Since graduation, I’ve been doing the solo freelance thing around the world. Photography is my way of revealing the way I see the world. Although photographers capture what already exists, how we choose to capture our subject matter stems from our personalities, and it is very evident in the images I create.

My goals as a photographer are to connect with businesses and help visually brand who they are, what they do, and where they do it. I love working with business owners who aren’t afraid of doing things a little unorthodox. Together we will create images that scream your message and populate your marketing & advertising with the personality of your business.

Learn more about Chris by visiting his website

Macro photography involves taking close-up pictures of small subjects, making them appear life-sized, or larger in the final image. It's ideal for capturing tiny wonders like insects, dewdrops, or the intricate details of a flower at a real scale of 1:1 to 10:1, ie, the size of the subject on the camera sensor is as large as, or larger than, its size in real life

To capture compelling macro photographs, consider the following artistic approaches:

•  Focus on Detail: Macro photography allows you to capture intricate details that are not visible to the naked eye, such as the texture of a leaf or the patterns on an insect's wings
.
•  Play with Depth of Field: A shallow depth of field can isolate your subject, making it stand out against a blurred background
.
•  Experiment with Lighting: Proper lighting can enhance the textures and colors of your subject. Natural light is often preferred, but diffusers and artificial light sources can also be used effectively.
•  Change Your Perspective: Try shooting from different angles to find unique compositions. For example, photographing a subject from below can provide a fresh perspective.
•  Add Elements: Introducing elements like water droplets can add visual interest to your macro shots.
•  Use Manual Focus: Autofocus may struggle with the fine details in macro photography, so manual focusing can help you achieve the desired sharpness
.
•  Be Patient: Macro photography often requires waiting for the perfect moment, especially when dealing with moving subjects like insects.

Close-up photography focuses a larger portion of the subject compared to the background but the magnification is less than life size (1:1). It's well-suited for portraits focusing on facial features, capturing textures of food, or showcasing the details of a piece of jewelry. which can include any photo that shows the subject in more detail than usual.

Here are some Tips on capturing captivating close-up images:

• Light plays a starring role: Lighting is crucial for highlighting textures, patterns, and tiny details. Experiment with natural light, diffusers, or artificial lighting to create dramatic effects.

• Shallow depth of field: This technique throws the background out of focus, drawing the viewer's eye right to your close-up subject. Achieve this with a wide aperture (low f-number) on your lens.

• Find unique angles and perspectives: Don't be afraid to get down low, tilt your camera, or explore unconventional angles. This can add a fresh perspective to a familiar subject.

• Abstract interpretations: Close-up shots can be used to create abstract compositions by focusing on textures, shapes, and patterns. Let the viewer use their imagination to interpret the image.

This month’s topic includes images taken using both of the approaches.

Resourceful Websites with Macro/Closeup Photography Samples:

https://www.naturephotographers.network/articles/the-changing-face-of-macro-photography/

https://www.thephotoargus.com/beautiful-examples-of-macro-photography/

https://youtu.be/VWW0Q2ozVH8

The deadline for turning in Competition images is Thursday, April 4. Check the website for the latest details

This month’s topic is “Macro/CloseUp”

April Topic: Closeup/Macro

Macro photography involves taking close-up pictures of small subjects, making them appear life-sized, or larger in the final image. It's ideal for capturing tiny wonders like insects, dewdrops, or the intricate details of a flower at a real scale of 1:1 to 10:1, ie, the size of the subject on the camera sensor is as large as, or larger than, its size in real life

To capture compelling macro photographs, consider the following artistic approaches:

•  Focus on Detail: Macro photography allows you to capture intricate details that are not visible to the naked eye, such as the texture of a leaf or the patterns on an insect's wings
.

•  Play with Depth of Field: A shallow depth of field can isolate your subject, making it stand out against a blurred background
.

•  Experiment with Lighting: Proper lighting can enhance the textures and colors of your subject. Natural light is often preferred, but diffusers and artificial light sources can also be used effectively3
.

•  Change Your Perspective: Try shooting from different angles to find unique compositions. For example, photographing a subject from below can provide a fresh perspective.

•  Add Elements: Introducing elements like water droplets can add visual interest to your macro shots.

•  Use Manual Focus: Autofocus may struggle with the fine details in macro photography, so manual focusing can help you achieve the desired sharpness
.

•  Be Patient: Macro photography often requires waiting for the perfect moment, especially when dealing with moving subjects like insects.

Close-up photography focuses a larger portion of the subject compared to the background but the magnification is less than life size (1:1). It's well-suited for portraits focusing on facial features, capturing textures of food, or showcasing the details of a piece of jewelry. which can include any photo that shows the subject in more detail than usual.

Here are some Tips on capturing captivating close-up images:

• Light plays a starring role: Lighting is crucial for highlighting textures, patterns, and tiny details. Experiment with natural light, diffusers, or artificial lighting to create dramatic effects.

• Shallow depth of field: This technique throws the background out of focus, drawing the viewer's eye right to your close-up subject. Achieve this with a wide aperture (low f-number) on your lens.

• Find unique angles and perspectives: Don't be afraid to get down low, tilt your camera, or explore unconventional angles. This can add a fresh perspective to a familiar subject.

• Abstract interpretations: Close-up shots can be used to create abstract compositions by focusing on textures, shapes, and patterns. Let the viewer use their imagination to interpret the image.

This month’s topic includes images taken using both of the approaches.

Resourceful Websites with Macro/Closeup Photography Samples:

https://www.naturephotographers.network/articles/the-changing-face-of-macro-photography/

https://www.thephotoargus.com/beautiful-examples-of-macro-photography/

https://youtu.be/VWW0Q2ozVH8

Members Only
Meeting at the IAC

The March competition/critique Topic is “Curves” (PRINT FORMAT). Please consult our page https://photoventure.org/how-to-enter-competitions for print competition specifics.

Curves are more than just lines with softer edges. They are visual magnets that draw the viewer’s eye through the frame, creating a sense of depth and dynamism, and draw our attention to specific points within the frame. Curves add a touch of the unexpected, breaking the monotony of straight lines and captivating the viewer’s attention.

Using curves effectively can create powerful compositional magic. The graceful sway of a winding road, winding rivers or undulating sand dunes, the sensual arch of a dancer’s back, the mesmerizing spiral of a seashell – all embody the alluring theme of curves and invite a deeper exploration of the image. Their inherent fluidity evokes emotions like grace, sensuality, and even mystery, adding a layer of intrigue to the captured scene.

In short, curves are more than just shapes – they are visual stories waiting to be told.

https://skylum.com/blog/guide-for-curved-lines-photography
https://digital-photography-school.com/composing-with-curves/
https://www.nyfa.edu/student-resources/how-to-compose-with-curves/

Our judge is Greg Mitchell: Retired Professional Photographer 

“If the photographer is interested in the people in front of his lens, and if he is compassionate, it’s already a lot. The instrument is not the camera but the photographer.”
— Eve Arnold 

I started my photography journey while attending elementary school in Muncie Indiana.  My father was our family shutterbug, and I can say my first influence on the art form.  At that time, using his Yashica 35mm camera, most of my images were of family vacations and members of our family. I developed my first roll of film and used a darkroom kit that he purchased from the Sears & Roebuck catalog while in elementary school.  Moving along, I did some photography for high school.

After college and moving to Indianapolis, I embraced the world of photography and have engaged in and seen the changes over the years. I started a part time job at Post Photo in North Delaware, later worked at David Camera Repair on Rockville Road. Then, I accepted the offer of a position at Robert’s Distributors. My growing wedding shooting interfered with Saturday workdays. So, I opened a commercial studio in Irvington to complement that. However, the business side of the storefront was something unfamiliar to me, and I closed the studio with no regrets.

I became a contract photographer for an upscale photography studio and did wedding and event photography for over twenty years. I did official photography for all construction on the Indianapolis Victory Field baseball stadium. I became the official photographer for the Indiana House of Representatives for twenty years.  During these times I was also an instructor for Continuing Education in photography for IUPUI.  I've judged and critiqued local photography clubs and at the Greenfield Riley Days Photography competition for the last five years.

But through it all, I've never lost the excitement and feelings of hearing that shutter sound and “hoping” I've captured that moment in time.

The deadline for turning in Competition images is Thursday, March 7. Check the website for the latest details

This month’s topic is “Curves” This is a PRINT competition. Please consult our page https://photoventure.org/how-to-enter-competitions for print competition specifics

Curves are more than just lines with softer edges. They are visual magnets that draw the viewer’s eye through the frame, creating a sense of depth and dynamism, and draw our attention to specific points within the frame. Curves add a touch of the unexpected, breaking the monotony of straight lines and captivating the viewer’s attention.

Using curves effectively can create powerful compositional magic. The graceful sway of a winding road, winding rivers or undulating sand dunes, the sensual arch of a dancer’s back, the mesmerizing spiral of a seashell – all embody the alluring theme of curves and invite a deeper exploration of the image. Their inherent fluidity evokes emotions like grace, sensuality, and even mystery, adding a layer of intrigue to the captured scene.

In short, curves are more than just shapes – they are visual stories waiting to be told.

https://skylum.com/blog/guide-for-curved-lines-photography
https://digital-photography-school.com/composing-with-curves/
https://www.nyfa.edu/student-resources/how-to-compose-with-curves/

“If the photographer is interested in the people in front of his lens, and if he is compassionate, it’s already a lot. The instrument is not the camera but the photographer.” — Eve Arnold

Our judge is Greg Mitchell, Retired Professional Photographer::
I started my photography journey while attending elementary school in Muncie Indiana. My father was our family shutterbug, and I can say my first influence on the art form. At that time, using his Yashica 35mm camera, most of my images were of family vacations and members of our family. I developed my first roll of film and used a darkroom kit that he purchased from the Sears & Roebuck catalog while in elementary school. Moving along, I did some photography for high school.

After college and moving to Indianapolis, I embraced the world of photography and have engaged in and seen the changes over the years. I started a part time job at Post Photo in North Delaware, later worked at David Camera Repair on Rockville Road. Then, I accepted the offer of a position at Robert’s Distributors. My growing wedding shooting interfered with Saturday workdays. So, I opened a commercial studio in Irvington to complement that. However, the business side of the storefront was something unfamiliar to me, and I closed the studio with no regrets.

I became a contract photographer for an upscale photography studio and did wedding and event photography for over twenty years. I did official photography for all construction on the Indianapolis Victory Field baseball stadium. I became the official photographer for the Indiana House of Representatives for twenty years. During these times I was also an instructor for Continuing Education in photography for IUPUI. I've judged and critiqued local photography clubs and at the Greenfield Riley Days Photography competition for the last five years.

But through it all, I've never lost the excitement and feelings of hearing that shutter sound and “hoping” I've captured that moment in time.

Members Only
Zoom

The February competition/critique Topic is "Barbie" (Or Oversaturated Colors)

Could you term the competition "Hypercolor" with the following description?

Hypercolor photography takes viewers’ imagination on a vibrant journey beyond the visible spectrum, amplifying colors into surreal landscapes and electrifying portraits….etc.

This artistic style embraces approaches like the use of infrared conversion and colored gel filters. Infrared conversion transforms cameras to capture near-infrared light, bathing foliage in fiery oranges and rendering skin with an ethereal, otherworldly glow. Alternatively, colored gel filters, manipulation of visible light, saturating landscapes and portraits with unnatural, electric hues to create a neon dreamscape effect. Post processing also can be used to create hypersaturated renderings of everyday scenes.

The recent popular movie ‘Barbie’ has explored many possibilities of the use of hypercolor to communicate the sensual and surreal scenes. Hypercolor photography invites viewers to reimagine the world through a prism of pure, unapologetic color.

Judge: Kenneth Keifer
Since before his days as a high school yearbook photographer, Ken Keifer, has loved photography...the art, the craft, the science, the colors, geometry, emotion, play of light and shadows, recording a special moment in time and space....everything about it! Photography is a passion of Ken's that helps satisfy his God-given creative drive. Ken loves what Ansel Adams, arguably the greatest landscape photographer ever, once said, "Sometimes I get to places just when God's ready to have somebody click the shutter." Ken, a frequent speaker and judge at camera clubs and artist groups, is consistently ranked one of Indiana's best photographers. He recently topped a list of "5 Best Landscape Photographers of Indianapolis" by PeerSpace and has previously been named one of Indiana's Top Ten Photographers by the Indianapolis Professional Photographers Guild. In addition to a couple of 2023 US postage stamps, his award-winning work has been featured by USA Today, CNN Travel, Pure Michigan, Visit Indiana, many websites, international television shows, books, travel guides and maps, calendars, concerts and music videos, airports, businesses, thousands of offices and private homes, and in churches in all fifty states and around the world.

Kenneth's website is https://kennethkeifer.smugmug.com/.

The deadline for turning in Competition images is Thursday, February 1. Check the website for the latest details

This month’s topic is “Barbie (or oversaturated colors)”

Could you term the competition "Hypercolor" with the following description?

Hypercolor photography takes viewers’ imagination on a vibrant journey beyond the visible spectrum, amplifying colors into surreal landscapes and electrifying portraits….etc.

This artistic style embraces approaches like the use of infrared conversion and colored gel filters. Infrared conversion transforms cameras to capture near-infrared light, bathing foliage in fiery oranges and rendering skin with an ethereal, otherworldly glow. Alternatively, colored gel filters, manipulation of visible light, saturating landscapes and portraits with unnatural, electric hues to create a neon dreamscape effect. Post processing also can be used to create hypersaturated renderings of everyday scenes.

The recent popular movie ‘Barbie’ has explored many possibilities of the use of hypercolor to communicate the sensual and surreal scenes. Hypercolor photography invites viewers to reimagine the world through a prism of pure, unapologetic color.

Judge: Kenneth Keifer
Since before his days as a high school yearbook photographer, Ken Keifer, has loved photography...the art, the craft, the science, the colors, geometry, emotion, play of light and shadows, recording a special moment in time and space....everything about it! Photography is a passion of Ken's that helps satisfy his God-given creative drive. Ken loves what Ansel Adams, arguably the greatest landscape photographer ever, once said, "Sometimes I get to places just when God's ready to have somebody click the shutter." Ken, a frequent speaker and judge at camera clubs and artist groups, is consistently ranked one of Indiana's best photographers. He recently topped a list of "5 Best Landscape Photographers of Indianapolis" by PeerSpace and has previously been named one of Indiana's Top Ten Photographers by the Indianapolis Professional Photographers Guild. In addition to a couple of 2023 US postage stamps, his award-winning work has been featured by USA Today, CNN Travel, Pure Michigan, Visit Indiana, many websites, international television shows, books, travel guides and maps, calendars, concerts and music videos, airports, businesses, thousands of offices and private homes, and in churches in all fifty states and around the world.

Kenneth's website is https://kennethkeifer.smugmug.com/.

Members Only
Zoom

The January competition/critique Topic is AI – Artificial Intelligence in Imaging. This is fully in the spirit of “Photo Venture"! So, for Topic entries, we have specific guidance – open entry rules remain the same.

Charles Ginsburg will be our judge with an online portfolio at charlie-g.smugmug.com. We strongly encourage you to see or review his September PVCC presentation at our website. Click here to download recordings of previous club meetings The password to access this page is jrifurofnvd

There are 2 methods to use AI for the competition for Topic entries:

1) AI enhancing of an existing image:

Resources:

• Artvy

• Deep Dream Generator

• Adobe Photoshop

In your entry, provide both the original and the processed, with BEFORE and AFTER noted after the title. Each before..after set will be tallied as one entry.


2) Generative AI which creates an image from a verbal description:

Resources:

• Image Creator from Microsoft Designer 

• Leonardo.Ai

• OpenAi

Use verbal descriptions to create images and continue to refine them by adding additional language. In your entry, also include the textual description you used to generate the image.After judging, we’ll have a discussion about your experience working with AI technology.

SUBMIT: Thursday, January 4, 2024, by midnight
RESULTS: Thursday, January 18, 2024, 7PM

The deadline for turning in Competition images is Thursday, January 4. Check the website for the latest details

This month’s topic is "Artificial Intelligence in Imaging"

The January competition/critique Topic is AI – Artificial Intelligence in Imaging. This is fully in the spirit of “Photo Venture"! So, for Topic entries, we have specific guidance – open entry rules remain the same.

Charles Ginsburg will be our judge with an online portfolio at charlie-g.smugmug.com. We strongly encourage you to see or review his September PVCC presentation at our website. Click here to download recordings of previous club meetings

There are 2 methods to use AI for the competition for Topic entries:

1) AI enhancing of an existing image:

Resources:

• Artvy

• Deep Dream Generator

• Adobe Photoshop

In your entry, provide both the original and the processed, with BEFORE and AFTER noted after the title. Each before..after set will be tallied as one entry.

2) Generative AI which creates an image from a verbal description:

Resources:

• Image Creator from Microsoft Designer 

• Leonardo.Ai

• OpenAi

Use verbal descriptions to create images and continue to refine them by adding additional language. In your entry, also include the textual description you used to generate the image.After judging, we’ll have a discussion about your experience working with AI technology.

SUBMIT: Thursday, January 4, 2024, by midnight
RESULTS: Thursday, January 18, 2024, 7PM

MEETING: Zoom

We’ll gather at 7 pm for informal discussion and then start the formal meeting at 7:30, for monthly competition results.

This month’s topic is "A Picture’s Worth a Thousand Words"

The goal is telling a story, or perhaps suggesting a story, through one image.

Our judge, Jennifer McClure, has developed a photographic style of story-telling. Feel free to visit her web site for more insight into her style and how she approaches it. www.jennifermcclure.com.

Jennifer McClure is a fine art photographer based in New York City. She uses the camera to ask and answer questions. Her work is about longing, solitude, and an ambivalent yearning for connection. She often uses herself and her experiences as subject matter to explore the creation of personal mythology and the agency of identity.

After an early start, Jennifer returned to photography in 2001, taking classes at the School of Visual Arts and the International Center of Photography. In between, she acquired a B.A. in English Theory and Literature and began a long career in restaurants. Most of her projects today incorporate her love of literature; one series was inspired by a short story, another includes photos of transformative texts, still another draws titles from a long-form poem.

Jennifer was a 2019 and 2017 Critical Mass Top 50 finalist and twice received the Arthur Griffin Legacy Award from the Griffin Museum of Photography's Juried Exhibitions. Her first book, You Who Never Arrived, was published as one of nine Peanut Press Portfolios in 2020. She was awarded CENTER's Editor's Choice by Susan White of Vanity Fair in 2013 and has been exhibited in numerous shows across the country. Her work has been featured in publications such as National Geographic, Vogue, GUP, The New Republic, Lenscratch, Feature Shoot, L'Oeil de la Photographie, The Photo Review, Dwell, Adbusters, and PDN. Lectures include the School of Visual Arts i3: Images, Ideas, Inspiration series, Fotofusion, FIT, NY Photo Salon and Columbia Teachers College. She has taught workshops for Leica Akademie, International Center of Photography, Los Angeles Center of Photography, PDN's PhotoPlus Expo, the Maine Media Workshops, the Griffin Museum, and Fotofusion. She was a thesis reviewer and advisor for the Masters Programs at both the School of Visual Arts and New Hampshire Institute of Art. She founded the Women's Photo Alliance in 2015.

The deadline for turning in Competition images is Thursday, November 2. Check the website for the latest details

This month’s topic is "A Picture’s Worth a Thousand Words"

The goal is telling a story, or perhaps suggesting a story, through one image.

Our judge, Jennifer McClure, has developed a photographic style of story-telling. Feel free to visit her web site for more insight into her style and how she approaches it. www.jennifermcclure.com.

Jennifer McClure is a fine art photographer based in New York City. She uses the camera to ask and answer questions. Her work is about longing, solitude, and an ambivalent yearning for connection. She often uses herself and her experiences as subject matter to explore the creation of personal mythology and the agency of identity.

After an early start, Jennifer returned to photography in 2001, taking classes at the School of Visual Arts and the International Center of Photography. In between, she acquired a B.A. in English Theory and Literature and began a long career in restaurants. Most of her projects today incorporate her love of literature; one series was inspired by a short story, another includes photos of transformative texts, still another draws titles from a long-form poem.

Jennifer was a 2019 and 2017 Critical Mass Top 50 finalist and twice received the Arthur Griffin Legacy Award from the Griffin Museum of Photography's Juried Exhibitions. Her first book, You Who Never Arrived, was published as one of nine Peanut Press Portfolios in 2020. She was awarded CENTER's Editor's Choice by Susan White of Vanity Fair in 2013 and has been exhibited in numerous shows across the country. Her work has been featured in publications such as National Geographic, Vogue, GUP, The New Republic, Lenscratch, Feature Shoot, L'Oeil de la Photographie, The Photo Review, Dwell, Adbusters, and PDN. Lectures include the School of Visual Arts i3: Images, Ideas, Inspiration series, Fotofusion, FIT, NY Photo Salon and Columbia Teachers College. She has taught workshops for Leica Akademie, International Center of Photography, Los Angeles Center of Photography, PDN's PhotoPlus Expo, the Maine Media Workshops, the Griffin Museum, and Fotofusion. She was a thesis reviewer and advisor for the Masters Programs at both the School of Visual Arts and New Hampshire Institute of Art. She founded the Women's Photo Alliance in 2015.